The Arts and Sciences journal presents works, achievements, reflections, techniques and prospects that concern all creative activities related to the arts and sciences.
Painting, poetry, music, literature, fiction, photography, video, graphic design, archeology, architecture, design, museology etc. are invited to take part in the journal as well as all fields of investigation at the crossroads of several disciplines such as pigment chemistry, mathematics, computer science or music, to name but a few examples.
La revue Arts et sciences présente les travaux, réalisations, réflexions, techniques et prospectives qui concernent toute activité créatrice en rapport avec les arts et les sciences.
La peinture, la poésie, la musique, la littérature, la fiction, la photo, la vidéo, le graphisme, l’archéologie, l’architecture, le design, la muséologie etc. sont invités à prendre part à la revue ainsi que tous les champs d’investigation au carrefour de plusieurs disciplines telles que la chimie des pigments, les mathématiques, l’informatique ou la musique pour ne citer que ces exemples.
Volume 17- 1Issue 1
Until the middle of the 20th century, plant roots were of very little interest to the arts and sciences: just like painters, botanists focused on the visible parts of plants. From the beginning of the 19th century, however (...)
Plasticity is a fundamental property of the matter, among which the self-folding or the adaptability reflect some laws inherent to the mechanical behaviour of materials, space-time geometry, biochemical processes or (...)
The geometric analysis of a drawing representing the profile of a man’s head gives us a glimpse of how Leonardo established his constructive approach to profiles from a first form. The geometric analysis of three other (...)
Here the nearly forgotten contributions of Charles-Alexandre Lesueur (1778-1846) to natural history during his stay in Philadelphia are reviewed. He was a self-taught artist and naturalist whose first occupation was that of (...)
During the residency The Calanques, a land of science and source of inspiration, the visual artist Shanta Rao explored the world of jellyfish, whose growing presence on the beaches of the Parc national des Calanques (...)
Ernst Haeckel, the German naturalist, in 1868 depicted amoeboid microorganisms as primordial life forms. He claimed they were without nuclei or cell membranes but capable of feeding and reproducing. He called such organisms (...)
The exquisite corpse or the exquisite cadaver (adapted from the French term “cadavre exquis”) was invented by the Surrealists to reflect their delight in games, chance and the Freudian-based basis of the uncontrolled aspects (...)
The artistic project Emergilience aims to explore the conditions for the emergence of forms through phenomena of self-organization. Emergence and self-organization being two key concepts in the simulation of complex (...)
Editor in chief
Sorbonne Université, MNHN, Paris
Ecole des Beaux-Arts
Musée national Adrien Dubouché
Cité de la Céramique Sèvres et Limoges
Musées de Strasbourg
APIEMO et SIANA
The Weizmann Institute of Science, Israël
moléculaire et structurale
Sorbonne Université Paris