The Arts and Sciences journal presents works, achievements, reflections, techniques and prospects that concern all creative activities related to the arts and sciences.
Painting, poetry, music, literature, fiction, photography, video, graphic design, archeology, architecture, design, museology etc. are invited to take part in the journal as well as all fields of investigation at the crossroads of several disciplines such as pigment chemistry, mathematics, computer science or music, to name but a few examples.
La revue Arts et sciences présente les travaux, réalisations, réflexions, techniques et prospectives qui concernent toute activité créatrice en rapport avec les arts et les sciences.
La peinture, la poésie, la musique, la littérature, la fiction, la photo, la vidéo, le graphisme, l’archéologie, l’architecture, le design, la muséologie etc. sont invités à prendre part à la revue ainsi que tous les champs d’investigation au carrefour de plusieurs disciplines telles que la chimie des pigments, les mathématiques, l’informatique ou la musique pour ne citer que ces exemples.
Volume 17- 1Issue 1
Ernst Haeckel, the German naturalist, in 1868 depicted amoeboid microorganisms as primordial life forms. He claimed they were without nuclei or cell membranes but capable of feeding and reproducing. He called such organisms (...)
The exquisite corpse or the exquisite cadaver (adapted from the French term “cadavre exquis”) was invented by the Surrealists to reflect their delight in games, chance and the Freudian-based basis of the uncontrolled aspects (...)
The artistic project Emergilience aims to explore the conditions for the emergence of forms through phenomena of self-organization. Emergence and self-organization being two key concepts in the simulation of complex (...)
The diversity of 3D botanical models is perceived at first through their different materials, of which an overview is given. Textile artificial flowers are to be included: some have been crafted as botanical models (...)
Viewed globally, the life of forms shows the same tendency to complexification for natural forms and for geometric forms resulting from mathematics or art, with a clear acceleration for the latter in modern times. Since the (...)
The rich Greek and medieval debate on the nature of the infinite, potential vs actual infinity, finds a synthesis and an answer in the invention, in Italy and during the Renaissance, of the geometric perspective. From the (...)
The Kosmoopera exhibition research project started in April 2019. A year later, the Russian Center for Science and Culture in Paris invite you to discover the works of Valentina Mir. The exhibition event take place on April (...)
Our vision of deep-sea life changed dramatically with the results of scientific explorations and study of the deep that began in the 1860’s. Mythical monsters, epitomized by Jules Verne’s giant octopus, gave way to mysterious (...)
In many dynamics of nature we may witness the iteration of a morphogenetic process. Mandelbrot fractals allow us to give an elegant mathematical representation of those engendered by physical processes and provide new tools (...)
Editor in chief
Sorbonne Université, MNHN, Paris
Ecole des Beaux-Arts
Musée national Adrien Dubouché
Cité de la Céramique Sèvres et Limoges
Musées de Strasbourg
APIEMO et SIANA
moléculaire et structurale
Sorbonne Université Paris